Ketubbah (marriage contract) illustrated by Moshe David Passigli (Siena, Italy, 1816), 67

I-Tal-Yah: An Island of Divine Dew. Italian Crossroads in Jewish Culture

Case Study No. 7. On the occasion of the 500th Anniversary of the founding of the Venice Ghetto (1516–2016)
On View:
Aug 30, 2016 - Jun 23, 2017
The Magnes Collection of Jewish Art and Life
2121 Allston Way | Berkeley , CA
The Magnes
Gallery Hours:
Every week, Tuesday-Friday, 11am-4pm, during the UC Berkeley Fall and Spring Semesters.

Never before the creation of the State of Israel did Jews of so many origins live together, and in such a stimulating environment, as they did in the land they soon started calling in Hebrew i-tal-yah, an “Island of Divine Dew”.

A crossroad of world cultures, Italy has been for over two millennia a haven for Italian, Sephardic and Ashkenazi Jews, in the heartland of Christianity. The Italian-Jewish symbiosis flourished with the Modern Era, in the Renaissance ghettos, continuing through the 19th-century Emancipation, and up to the present.

Thus, Jewish Italy appears before our eyes both as a time capsule, where ancient cultural traits have been safely preserved, and as a laboratory, in which such traits were adapted to constantly changing living conditions. While maintaining century-old traditions, Italian Jews also tested out new cultural formats that came to define Jewish modernity. Featured prominently among these are the emergence of women as a foundational constituency of the Jewish social fabric, the printing of the Hebrew Bible and the Talmud as hypertexts, the illustration of Hebrew manuscripts as forms of public “Jewish art,” the public performance of Jewish culture as “entertainment” for society at large, and the cultivation of the synagogue as a porous space fostering multicultural encounters.

Italian Jews successfully negotiated their way across tradition, diversity, religious conflicts, emancipation, cosmopolitanism and multiculturalism, all at the very heart of Christianity. Their vicissitudes mirror the history of the Jewish people at large, both because of Italy’s strong cultural influence upon many European countries, and because of its central place in the Mediterranean. Their cultural wealth progressively lost traction at the turn of the 20th century, and effectively came to a halt with the rise of Fascism and the anti-semitic laws proclaimed in 1938.

I-Tal-Yah: An Island of Divine Dew. Case Study No. 7 (2016)
click on the image above to view images of exhibition objects

All major Jewish museum collections include important artifacts from Italy, and the Magnes is no exception. This exhibition presents a selection of manuscripts, books, ritual objects, textiles, photographs and postcards collected by The Magnes over five decades to investigate the global significance of Jewish history in Italy.

~Francesco Spagnolo

I-Tal-Yah: An Island of Divine Dew
Italian Crossroads in Jewish Culture
Case Study No. 7

Warren Hellman Gallery & Charles Michael Gallery
August 30-December 16, 2016 & January 24-June 30, 2017
Galleries open TUE-FRI 11am-4pm
(closed on Winter Break, December 17, 2016-January 23, 2017)

I-Tal-Yah: An Island of Divine Dew | Exhibition Catalog (2016) by magnesmuseum on Scribd

Dr. Francesco Spagnolo

Curatorial Assistant
Zoe Lewin

Undergraduate Curatorial Assistant
Sarah Klein

Julie Franklin

Gary Handman (Archivist); Sarah Klein, Lily Greenberg Call, Natalie Rusnak, Clayton Hale, Liora Alban (Undergraduate Research Apprentices)

Ernest Jolly

Gordon Chun Design

Major support for The Magnes comes from the Helzel Family Foundation, the Magnes Museum Foundation, The Magnes Leadership Circle, and The Office of the Chancellor at the University of California, Berkeley.

Research for I-Tal-Yah: An Island of Divine Dew was made possible in part by funds and resources provided by the Undergraduate Research Apprentice Program (URAP) at the University of California, Berkeley.

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